2019年11月29日 星期五

“变废为宝”——联合国儿基会帮助科特迪瓦生产再生塑料砖 建造学校


图片来源:UNICEF/Frank Dejo
在科特迪瓦中部的一所学校,学生们很高兴学校里建造了一个新教室。 (2019年2月6日图片)
2019 年 7 月 29 日  Source:  https://news.un.org/zh/story/2019/07/1039011

联合国儿童基金会今天宣布,该基金会与哥伦比亚社会企业“塑料理念”(Conceptos Plasticos)合作在科特迪瓦建造的首家将塑料废物转化为模块塑料砖的工厂已经破土动工。这种易于组装、耐用且低成本的砖将用于在科特迪瓦建造急需的教室。
儿基会执行主任福尔说表示,这家工厂将为非洲儿童和社区面临的一些主要教育挑战带来智能型的可扩展解决方案。其潜力有三方面:为科特迪瓦的儿童提供更多的教室,减少环境中的塑料废物,为最脆弱的家庭提供额外的收入渠道。
科特迪瓦需要1万5000间教室,以满足失学儿童的需求。为了填补这一空白,联合国儿童基金会与 “塑料理念”企业合作,利用从阿比让及其周边地区污染区回收的塑料,计划在未来两年内为最迫切需要教育的2万5000多名儿童建造500间教室,并有可能将来建造更多的教室。
联合国驻科特迪瓦代表卡姆珀(Aboubacar Kampo)表示,科特迪瓦学童面临的主要挑战之一是缺乏教室。要么根本没有教师,要么过度拥挤,使学习成为一种充满挑战和不愉快的经历。有了塑料砖教室之后,在某些地区,贫困社区的幼儿园老师将能够首次将教室里的儿童人数减少到100名以下。他说,“那些从未想过会在学校里拥有‘一席之地’的孩子将能够在一个干净整洁的教室里学习,茁壮成长。“
阿比让每天生产280多吨塑料废物,其中只有约5%被回收利用,其余大部分最终留在低收入社区的垃圾填埋场。塑料废物污染加剧了现有的卫生和环境卫生挑战。不恰当的废物管理导致了60%的儿童疟疾、腹泻和肺炎病例, 这些疾病都是科特迪瓦儿童死亡的主要原因之一。
一旦全面投入运营,这个工厂每年将回收9600吨塑料废物,并为正规回收市场中的贫困妇女提供收入来源。  
“塑料理念”企业已经在哥伦比亚用塑料砖建造了9间教室,展示了其施工方法和材料的可行性。
砖块100%由塑料制成,具有耐火性,比传统建筑材料便宜40%,重量减轻20%,并且使用寿命可长达数百年。这种砖还具有很好的防水性和隔热性,并可抵御强风。
除了在科特迪瓦投资建厂外,儿基会还计划将该项目扩展到该地区的其他国家,因为非洲西部和中部地区占全球小学学龄失学儿童的三分之一,占中学低年级学龄失学儿童的五分之一。

Classrooms made from recycled plastic waste come to Ivory Coast


Source: https://www.france24.com/en/20190925-classrooms-recycled-plastic-waste-ivory-coast-unicef










Frank Hersey, FRANCE 24 | The prototype of a classroom built with plastic bricks at a school in Ivory Coast's Abidjan, now used as the school's nursery.

2019年11月16日 星期六

在印度,其实根本就没有“咖喱”, 它是怎樣傳去日本的?

你吃的是正宗咖喱吗:在印度,其实根本就没有“咖喱”

https://www.bilibili.com/read/cv2419471


Curry  Inside the Factory   Source: https://www.bbc.co.uk/programmes/b0bg6whb




Gregg Wallace explores the Nottinghamshire factory that produces 250,000 jars of curry sauce each day. Gregg is making a supersized 3,000-kilo batch of tikka masala - enough to feed 25,000 people. He loads in almost half a tonne of yoghurt and cream and ten other ingredients, including 30 kilos - or 10,000 cloves - of garlic. He deploys an unusual kitchen implement - a hosepipe - to get his ingredients into the cooking pot and heats it for 30 minutes. Then he checks it for colour against a decorating colour chart. Finally his jars head into a pasteuriser for a second two-hour cooking session.

Meanwhile, Cherry Healey is in Guntur, the chilli capital of India, where they sell 3,500 tonnes of chilli each day. She helps to harvest the chillies on a typical small-scale farm, dries and packs them down then follows them through processing into chilli powder. Cherry also gets the lowdown on cooking rice with four foolproof rules which ensure it comes out right every time, and learns how to beat the burn if you have overdone it in the curry house. It turns out that milk is the right choice because the fat dissolves the capsaicin that is responsible for that burning sensation.

Historian Ruth Goodman finds that our passion for curry is around 370 years older than the supposed invention of tikka masala in a Glaswegian restaurant in the 1970s. She recreates a 1747 recipe for rabbit curry, and learns that the word 'curry' itself is a misunderstanding of the Tamil word 'kari'. And she re-examines the early convenience curries of the 1970s and talks to the British Asian housewife whose curry crusade helped to make high street curries closer to Indian home cooking.

糖尿病人飲食方案的“手掌法则”

怎么吃控糖控体重?“手掌法则”告诉你

https://k.sina.com.cn/article_5787187353_158f1789902000t6tm.html


「手掌法則」輕鬆幫您搞定糖尿病人飲食方案

https://kknews.cc/health/96lzrzj.html




巧記"手掌法則",搞定糖尿病飲食量!糖友必


https://kknews.cc/health/2a4q2e.html



巧記"手掌法則",搞定糖尿病飲食量!糖友必知

原文網址:https://kknews.cc/health/2a4q2e.html




「手掌法則」輕鬆幫您搞定糖尿病人飲食方案「手掌法則」輕鬆幫您搞定糖尿病人飲食方案「手掌法則」輕鬆幫您搞定糖尿病人飲食方案
「手掌法則」輕鬆幫您搞定糖尿病人飲食方案「手掌法則」輕鬆幫您搞定糖尿病人飲食方案「手掌法則」輕鬆幫您搞定糖尿病人飲食方案「手掌法則」輕鬆幫您搞定糖尿病人飲食方案「手掌法則」輕鬆幫您搞定糖尿病人飲食方案
「手掌法則」輕鬆幫您搞定糖尿病人飲食方案「手掌法則」輕鬆幫您搞定糖尿病人飲食方案
「手掌法則」輕鬆幫您搞定糖尿病人飲食方案

2019年10月25日 星期五

香港沙田翠田街公路私用-食痾瞓








圖片來源: https://www.google.com/maps/place/%E5%A4%A7%E5%9C%8D%E7%BF%A0%E7%94%B0%E8%A1%97/@22.3703388,114.1833672,80m/data=!3m1!1e3!4m5!3m4!1s0x3404070656e76e61:0x912054056b74be8a!8m2!3d22.3708274!4d114.1827948




1970年代發展沙田, 用地不緊張,四線行車的翠田街是半公里長的掘頭, 附近使用的車輛不多, 外來車輛更是寥寥可數.


翠田街附近有三間小食肆(米之寶米粉, 金順茶餐廳, 銀泉茶餐廳), 隔田村公園還有臨近路邊公廁给司機提供了方便, 於是日日夜夜都有司機在翠田街違例泊車進行個人活動-食痾瞓.  偶然也會有警察抄一下牌, 但幾十年以來還是解決不了問題.

金獅花園一期(一千二百伙)對面路面更是長期有的士等客.

來往翠田街的公共汽車(九龍巴士)80K能否在愉景花園和金獅花園設站, 好象校巴一樣服務大家?  現實情況是除了大型公共汽車不妥協不設新停泊點, 所有的其他車輛都在盡情使用翠田街, 包括上客下客, 違例泊車和食痾瞓.

巧合地, 附近的沙田頭路是三線行車的上坡斜路,  自1981年以來, 晚晚上斜的二條行車線, 總有一條被司機用作違例泊車, 涉及二十至三十多架大小不同車輛(下圖), 附近居民是見怪不怪.





以上二張沙田頭路照片(共二十部車)是拍攝於 2019.11.13 下午三時.

2021農曆年初一(12/2/2021,下午四時)交通警察們都在翠田街車公廟處嚴密布防, 拜年車隊則在後面沙田頭路公然違例泊車, 成為奇觀。

2019年6月14日 星期五

81歲美國業餘發明家 Marshall Medoff

The inventor turning plant life into biofuel

Marshall Medoff's innovative method of turning pland life into fuel and other useful products. 

Source:  https://www.cbsnews.com/video/marshall-medoff-the-unlikely-eccentric-inventor-turning-inedible-plant-life-into-fuel-60-minutes


https://www.xyleco.com/board


Walden pond
華登湖冥想業餘發明家 Medoff      

2019年5月21日 星期二

博主63歲開始學習社會工作專業

1977年我由浸會學院經濟系轉往社會學系, 放棄了學習社會工作專業, (社會學和社會工作四年學習期其中首二年學習科目相同, 第三年才開始分道揚).  今後有生之年爭取機會重投社會工作行列, 為社會失落階層增添幸福感. 

2019年5月18日 星期六

The sounds of Inuit throat singer Tanya Tagaq (60 minutes)


博主解說: 日不沒國-英國除了紐西蘭是尊重土著文化外, 其餘殖民地會一概殺當地傳統文化.

Source: https://www.cbsnews.com/news/the-sounds-of-inuit-throat-singer-tanya-tagaq-60-minutes-2019-05-05

The sounds of Inuit throat singer Tanya Tagaq

"It's not for everybody," Tagaq says, but her unique music, a blend of an ancient art form with elements of punk rock, heavy metal and electronica, has been called "transfixing" by Rolling Stone

Chances are you won't be hearing Tanya Tagaq's music at your next dinner party or wafting over the speakers at the mall. She is technically a pop star, but not in the same vein as, say, her fellow Canadians Drake or Arcade Fire, both of whom Tagaq recently beat out to win the country's most prestigious music prize. Hailing from Nunavut, a territory above the Arctic circle, Tagaq is an Inuit throat singer, keeper of an ancient art form that stretches the limits of the human larynx. She has brought this traditional sound screeching onto the modern scene by layering it with elements of punk rock, heavy metal and electronica. Rolling Stone called her music transfixing. We'd never heard anything quite like it before and so it is we say: now, for something completely different.
Tanya Tagaq begins every performance by closing her eyes - as she puts it, shutting out the visual and plugging into the sound.
Her voice flickers, then builds to a rhythmic panting.
Then comes the inevitable moment when the mounting tension uncoils and she unleashes a sonic storm. If this is not what you were expecting Inuit throat singing to look or sound like, stick with us here.



tanya-tagaq-11.jpg
Tanya Tagaq
Her music is improvised. There is no set plan, no set list. Often, there are no shoes. At 5-foot-1-inch, Tagaq generates a mighty sound, especially for a diminutive person and she'll be the first to tell you it's not easy listening.
Jon Wertheim: You give people a warning sometimes?
Tanya Tagaq: Yeah. Because I feel like it should be consensual. Like you shouldn't have to sit there and suffer through it if you don't like it, because it's not for everybody.
Jon Wertheim: You tell people "if you don't like it, hey?"
Tanya Tagaq: I'll point out the exits like on an airplane.
Jon Wertheim: You're like a flight attendant.
Tanya Tagaq: There are four exits. And then I tell them, it's ok to leave. Like I'm not gonna be insulted.
Those who stay in their seats are bathed in a mash up of Inuit tradition and contemporary experiment. And, as Tagaq told us over lunch before a concert in New York, no two shows are alike.
Jon Wertheim: A good show means what to you?
Tanya Tagaq: When it's effortless in the fact that I feel like I'm a fish on the end of a hook, I'm just being reeled in.
Jon Wertheim: What's reeling you in?
Tanya Tagaq: The music. I get kind of hypnotized by it. And it just becomes its own creature.



tanya-tagaq-8.jpg
Tagaq with correspondent Jon Wertheim
To make sense of all this sound, to understand Tanya Tagaq and her music, you have to go to the source. So we headed north. Four flights and 2,300 miles from New York, we landed on a gravel runway in Nunavut, Canada's northernmost and largest territory, ancestral home of the Inuit, Indigenous people of the North. Nunavut, literally "our land" in the native Inuktitut language, is made up of 800,000 square miles of the Canadian Arctic, roughly three times the size of Texas. The landscape calls to mind the setting for an extraterrestrial sci-fi movie. And then there is the lighting.
It might not look like it, but it's now midnight here inside the perimeter of the Arctic Circle. In summer, months can go by without a sunset. Of course, that means that in winter, months can elapse in total darkness. By then it's often so cold that Fahrenheit and Celsius converge at -40 degrees.
Which is why we visited in July. Tagaq's touring schedule keeps her based in Toronto; but every summer, she comes back to the family cabin in her hometown of Cambridge Bay, population 1,700.



Tagaq and her older brother Carson took us out on the tundra — more of a lunar scene than a polar one, though we did manage to find a patch of ice.
We rode for hours along the shores of the Arctic Ocean, to a favorite fishing spot.
Tanya Tagaq: It never gets old. You're free. You're living with the land. You're living with the animals.
The land, the sea, the animals, they all take turns playing Tagaq's muse. And in summer, the rhythm of her life here is set by runs of Arctic Char.
Tanya Tagaq: My heart's beating fast. I want to eat one. Darn, where'd they go? Come on.
Jon Wertheim: and Tanya Tagaq: I can't believe we don't have a fish. Cause once you have fresh arctic char, you're addicted.
Back at the family cabin, Tagaq's father and her daughter had more success with nets.
Jon Wertheim: You got dinner.
Tanya Tagaq: Yeah. Are you gonna try it? You don't have to.
Jon Wertheim: I'll do it.
Tanya Tagaq: Cheers!
Jon Wertheim: That's fresh fish.
Tanya Tagaq: Mmmmmmm.



fullepisode.jpg
Nunavut is home to 40,000 Inuit, or Inuk people. They have lived off the land and the sea here since migrating east from across the Bering Strait, 1,000 years ago.
Inuit throat singing, that sound we came all this way to hear, can be traced back just as far.
Tanya and her friend Donna Lyall demonstrated the traditional form for us. Conceived in an igloo while the men were out hunting, it's really a friendly competition between two women, akin to a musical staring contest.
Tanya Tagaq: There's a leader and a follower. And you have to be able to mimic the sound a split second after the first person does it.
Both partners make short inhalations and exhalations that vibrate over the top of their windpipes.
Tanya Tagaq: You're basically trying to mess up the other person.
Tanya Tagaq: (Laugh) I lost. I lost that round! Isn't this awesome?
All the more awesome when you consider that throat singing was all but banned here in recent decades, along with many Inuit traditions and the native language.
Tanya Tagaq: It was part of the colonial process. Children were forbidden from speaking their language, or exercising their culture in any way whatsoever. And they told us our belief system was wrong.
Canada has a long history of mistreating Indigenous people. In one of the worst chapters, from the mid-19th century until the mid-90s, the government separated thousands of Inuit children from their parents and placed them in church-run schools as a way to assimilate them. Tanya herself went to a residential school five hundred miles from home, 25 years ago.
Jon Wertheim: What was that experience like?
Tanya Tagaq:  It was a bit like jail where every single one of our minutes were accounted for. You know, so we were very tightly controlled. But it was like a boarding school by the time I went. But previous generations had it much, much harder. Most of them were sexually abused, beaten.
Jon Wertheim: This is a really shameful stain in Canadian history, isn't it?
Tanya Tagaq: It's absolutely horrific.
Jon Wertheim: This anger, this despair, this is what I'm hearing in some of your songs.
Tanya Tagaq: Absolutely. I live with a broken heart thinking about our history.
The Canadian government apologized ten years ago for its policy of forced assimilation, but the country is still reckoning with generational trauma.
Tagaq's concerts serve as acts of resistance against the Canadian government and also celebrations of Inuit culture.
And the music has found global appeal. She's on perpetual tour of the world's concert halls. Her albums earn the kind of critical acclaim that would make most mainstream pop acts, well, scream.
But Tagaq told us she discovered throat singing quite by accident. Because the music was taboo for so long, her introduction came when she was away at college and feeling homesick. Tagaq's mother, born and raised in an igloo, found some tape recordings of the traditional sound and mailed them to her.
Jon Wertheim: What are you hearing on these tapes that resonated with you?
Tanya Tagaq: I could hear the land. It was incredible for me to be able to taste my home again in my ears.
Jon Wertheim: Well, you didn't just taste it in your ears, you tried to practice yourself.
Tanya Tagaq:  For years, I was just throat singing in the shower. I was trying to do both of the voices.
Jon Wertheim: The call and response.
Tanya Tagaq:  Uh-huh.
Then one night, she found herself casually throat singing for a few friends around a campfire at an arts festival in Nunavut. The festival director heard her and asked if she'd perform on stage.
Tanya Tagaq:  So I put on my slinky dress and a headband and got up on stage and I was like "I'm me" Like it just made total sense. I was like, okay this is my thing.
Her particular thing, combining throat singing with rock, punk and pop, found a niche audience. And if the music resists classification and labels, so does Tagaq herself. We asked about one label she rejects outright.
Jon Wertheim: Your twitter bio says "Don't call me Eskimo." What do you mean by that?
Tanya Tagaq: I have heard too many times as an insult to me personally I've had that used against me.  Like, a "raw-meat eater." They meant it like "You can't even cook your food. You're too savage."
Jon Wertheim: When you talk to Southerners, which is basically everyone, what are the stereotypes you encounter?
Tanya Tagaq: There's a kind of tokenization of our culture like, cute little happy Eskimos up there in the cold in their igloos. And not looking at the hard and cold facts that there's a lot of poverty and people are going through a lot of grief.
Communities in Nunavut face far higher poverty levels than the rest of Canada and one main cause is food insecurity. Because so little grows on the Northern tundra, food is imported and wildly expensive. We paid $15 for a jar of peanut butter here.
Hunting and fishing — caribou, muskox, seal and char — are not just an Inuit tradition, but means of survival, something Tagaq says she constantly has to defend.



tanya-tagaq-1.jpg
Tanya Tagaq: We'll have people from California telling us not to fish, or eat meat. It's like what are you gonna do here? Show me, where's the tofu? Show me. Show me the tofu.
Jon Wertheim: This is your Whole Foods right behind us.
Tanya Tagaq: Yeah, our Whole Foods is right here.
She is especially protective of the seal hunt, using her spotlight to promote one of the Inuit's only renewable resources.
Tanya Tagaq: Wearing seal and eating seal, it's delicious.
Tagaq has taken on animal rights groups who portray seal hunting as inhumane. She once tweeted this photo of her baby daughter next to a harvested seal, her way of normalizing the hunt. The post elicited angry responses, laying bare some of the ugliest assumptions about life in Nunavut.
Tanya Tagaq: Like people think we club seals on the head.
Jon Wertheim: Just to be clear -
Tanya Tagaq: I don't know anyone who's ever clubbed a seal.
Jon Wertheim: You don't like outsiders saying what you can and can't eat and what you can and can't harvest.
Tanya Tagaq: I hate it. You know what else makes me really mad? I'm telling you everything that pisses me off.
She keeps a sense of humor as she sounds off both in conversation and in performance. Back up north, her brother Carson has never seen her play live but says he's proud of her.
Carson: She's taking something old and making it new.
Jon Wertheim: Do you like it?
Carson: Yeah, it's, it's okay.
Jon Wertheim: (Laugh) you waited too long there.
Carson: Yeah, well, it's not Van Morrison, that's for sure. But I think it takes a lot of guts to put yourself out there the way that she has and to take Nunavut and the North to the global stage is a good thing.
Other throat singing acts are following her, breathing new life into an old art form. And for Tanya, this might be the most gratifying note in her unlikely success.
Tanya Tagaq: Oh, it makes me so happy. I'm like "Be freeee."
Say this about Tanya Tagaq: go to the North Pole and back, and you won't come across an artist any freer.
Produced by Nathalie Sommer. Associate producers, Cristina Gallotto and Emily Gordon.